|"No One Knows"|
by Queens of the Stone Age
from Songs For the Deaf
|"Stuck on You"|
from Fantastic Planet
|"Just a Simple Plan"|
from We Are the Only Friends We Have
"No One Knows" (7 plays at Last.fm, unranked): Every time I hear this song I think of something Kurt Cobain said in that big Nirvana interview with MTV around the time In Utero was released. He said one reason he was excited to have Dave Grohl join the band was that his drumming was so metronomic. I don't think that's more true on any other song than this one. The driving rhythm of his drumming and Nick Oliveri's bass is so key to making this tune work that I couldn't imagine it happening had Grohl not been part of this album. On top of that, this is both the quintessential QotSA song and the best song of Grohl's hard rock summer of 2002, as well as bring the rare breakout single that's both highly anticipated and totally awesome.
"Stuck on You" (1 play, unranked): As much as I liked Ken Andrews' subsequent bands, On and Year of the Rabbit, I never could get into his classic first band, Failure. This song is the exception. That squealing, opening lick is the kind of thing that makes you want to be in a band, just to cover it at the top of your set. Meanwhile, the grinding melody of the rest of the song makes for a great closer (as Andrews also later did with YotR's "Say Goodbye"). It's a real accomplishment to have a song that feels so much like the mid-90s but also seems to foretell a lot of what I would like in the hard rock of the following decade.
"Just a Simple Plan" (5 plays, unranked): Hearing this song as my first exposure to Piebald, I never would have guessed that they'd previously been a hardcore band, and that they angered many of their fans with a big shift towards pop. This was the record that really pulled me into the nexus of alt. power pop bands like OK Go and Troubled Hubble, but Piebald -- especially here -- always had a very unique flavor to how they did it. The music here is simple but with a subtle snark to it -- not Aquabats snarky, but something almost soundtrack-like. At the same time, Travis Shettel's vocals are clever and self-referential without seeming forced. The voice in this song (and the whole album, really) shows a perfect transitional state between the hardcore and "mature" versions of the band.
VERDICT: I will actually rock out to "No One Knows" in the car, nearly 10 years later. As much as "Stuck on You" still works for me, the edge goes to the song that was both the calling card and swan song of the real Queens of the Stone Age, before Oliveri went nuts and left the band's sound a trebly mess.